y style of “fantasy” is like nothing what most hobbyists or providers are familiar with, or I suspect, have ever even heard of, and I’ve been in this hobby more years than I care to admit. I’ve always liked to write. Not for money. Back in 2012, in a galaxy far, far away (from MI) I stumbled on an incredibly fun approach to the hobby.
It goes something like this: I have written 7 short stories (likely more as time goes on) I call my “fantasy adventures.” They are not “erotic” stories, nor are they pornographic in any way. Descriptions of physical intimacy, yes, but nothing you wouldn’t see on a major network prime time TV drama.
In each story I have created fictional characters with names, descriptions and personalities, just like a conventional short story. The main female character’s description I always edit to closely match that of the provider with whom I’m going to do the fantasy-adventure, e.g. if the provider is a petite, curvy brunette in her late ‘20’s, so is the main female character in the story. If I know the provider is well-traveled, or has a university degree, so does the character in the story.
The plots vary from story to story. No fantasy-adventure is more than 8 pages of text. They are easy reading. Lots of dialogue that reveals the thinking of (especially) the main female character. The main male character always resembles me, of course (medium build older gent, graying, short in stature). In one story he might be a popular TV actor, in another a tough-grading college professor. And all of them have the last name of “Adams.” One of my favorites is a fantasy-adventure in which I play an American scientist (“Darren Adams, PhD“) who becomes the object of attention of a sultry, cunning Russian female secret agent bent on seduction and blackmail. The first provider I did this story with loved her character so much I ended up writing two sequel stories for us involving scientist “Dr. Adams” and the Russian “Katya Oralskaya.”
Other female characters include an attractive woman who has an unintended encounter with her favorite TV celeb at a resort hotel, a desperate college co-ed and her resistant professor (guess who eventually gets her way in that encounter - - heh-heh- -), and even a captive barbarian slave girl who is taught the art of Roman love from her master (let‘s just say she‘s a “quick study” in this story).
As for “doing“ the fantasy-adventure in a 2 hour session (I always book these for minimum 2-hr.), there is no dialogue to memorize or “script.” In fact, the two main characters don’t begin to interact until halfway into the story. At some point the characters eventually slip into some form of foreplay/intimacy. But before they get really wild I conclude my written story with TO BE CONTINUED. At that point the provider and I spend the remainder of the session doing what they call in theatre “improv.” We remain in character the whole time.
Once the provider agrees to do a fantasy-adventure with me I email an electronic version of the story for her to read well prior to our session. That way she can “get into” her character and make any “costume” choices that she feels might enhance her performance. Once I arrive at her incall location we do the usual small talk, then sit down to briefly go over the story and our characters. There may be some details about the characters or plot line I omitted from the story that I might add at that time. I also ask her for any input about her character. Maybe the provider thinks here character could be more aggressive in going after my character, for instance. I want the end product of the fantasy-adventure we do to be a collaborative effort. I never dictate what the provider's character "must" do.
If any provider who has read this far and would like to read an entire fantasy-adventure, I would be pleased to send one along to her. P/M me with your email address